Saturday, April 11, 2015

Major Pentatonic Shapes

No comments :
 We’ll start with the G major pentatonic scale with a fourth string root, using your second finger as the starting point. The lowest root note is the fifth fret on the D string, which is your anchor point. Play that note, and then play the seventh fret with your pinky. On the G string, hit the fourth fret with your index finger, and the seventh fret with your pinky. Your index finger with grab the fifth fret and your pinky will grab the eighth fret on the B string. For the high E string, it’s the fifth fret with your index finger and the seventh fret with your third finger.



If you want to add in the lower notes to this scale shape, on the A, string play the fifth fret with your second finger, seventh fret with your pinky, and then do the same for the low E since it’s the same two note pattern. Just keep in mind your root notes are the fifth fret of the D string and the eighth fret of the B string.

The next shape, the G major pentatonic with a fifth string root starting with your fourth finger, begins with the lowest root note on the tenth fret of the A string. From the root note, both the D and G strings have notes on the seventh fret with your first finger and ninth fret with your third finger. The B string has notes on the eighth and tenth frets with your second and fourth fingers. The high E string finishes the scale with notes on the seventh and tenth frets that you’ll play with your first and fourth fingers.

If you want to play the lower notes in this shape, there is one other note on the A string which is the seventh fret with your first finger, and two notes on the E string, the seventh and tenth frets with your first and fourth fingers.

The next scale up actually starts on the same root note, the tenth fret of the A string, but starts with your middle finger there instead of your pinky. That’s your lowest root note, and from there play the 12th fret with your pinky. On the D and G string, you’ve got the ninth and 12th frets to hit with your first and fourth fingers. The B and high E string also share a pattern, so you’ll play the tenth and 12th frets with your second and fourth fingers.

There are only two notes here lower than the root note, which are the tenth and 12th frets with your second and fourth fingers.

You’re probably feeling a little overwhelmed with these different shapes, so remember this is more like an extra credit lesson. Take these scale shapes one at a time, learn them when you can, and slowly get to know them really well.

You already know the shape of the last major pentatonic scale we are going to look at, but we’re going to look at it in a different way. If you started this shape on an E root note on the 12th fret, it would be an E minor pentatonic scale, but if you use the G root note on the 15th fret using your pinky instead, it becomes a major pentatonic scale shape. Play this scale the way you would have as a minor pentatonic shape, but starting with the G root note instead and you’ll have this G major pentatonic, sixth string root scale down.

The guitar is a popular musical instrument classified as a string instrument with anywhere from 4 to 18 strings, usually having 6. The sound is projected either acoustically or through electrical amplification (for an acoustic guitar or an electric guitar, respectively). It is typically played by strumming or plucking the strings with the right hand while fretting (or pressing against the fret) the strings with the left hand. The guitar is a type of chordophone, traditionally constructed from wood and strung with either gut, nylon or steel strings and distinguished from other chordophones by its construction and tuning. The modern guitar was preceded by the gittern, the vihuela, the four-course Renaissance guitar, and the five-course baroque guitar, all of which contributed to the development of the modern six-string instrument.

There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. The tone of an acoustic guitar is produced by the strings' vibration, amplified by the body of the guitar, which acts as a resonating chamber. The classical guitar is often played as a solo instrument using a comprehensive fingerpicking technique. The term fingerpicking can also refer to a specific tradition of folk, blues, bluegrass, and country guitar playing in the US.

Electric guitars, introduced in the 1930s, use an amplifier that can electronically manipulate and shape the tone. Early amplified guitars employed a hollow body, but a solid body was eventually found more suitable, as it was less prone to feedback. Electric guitars have had a continuing profound influence on popular culture.

The guitar is used in a wide variety of musical genres worldwide. It is recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, folk, jazz, jota, mariachi, metal, punk, reggae, rock, soul, and many forms of pop.Classical guitars; also known as Spanish guitars are typically strung with nylon strings, plucked with the fingers, played in a seated position and are used to play a diversity of musical styles including classical music. The classical guitar's wide, flat neck allows the musician to play scales, arpeggios, and certain chord forms more easily and with less adjacent string interference than on other styles of guitar. Flamenco guitars are very similar in construction, but are associated with a more percussive tone.

In Portugal, the same instrument is often used with steel strings particularly in its role within fado music. The guitar is called viola, or violão in Brazil, where it is often used with an extra seventh string by choro musicians to provide extra bass support.

In Mexico, the popular mariachi band includes a range of guitars, from the small requinto to the guitarrón, a guitar larger than a cello, which is tuned in the bass register. In Colombia, the traditional quartet includes a range of instruments too, from the small bandola (sometimes known as the Deleuze-Guattari, for use when traveling or in confined rooms or spaces), to the slightly larger tiple, to the full sized classical guitar. The requinto also appears in other Latin-American countries as a complementary member of the guitar family, with its smaller size and scale, permitting more projection for the playing of single-lined melodies. Modern dimensions of the classical instrument were established by the Spaniard Antonio de Torres Jurado (1817–1892).All three principal types of resonator guitars were invented by the Slovak-American John Dopyera (1893–1988) for the National and Dobro (Dopyera Brothers) companies. Similar to the flat top guitar in appearance, but with a body that may be made of brass, nickel-silver, or steel as well as wood, the sound of the resonator guitar is produced by one or more aluminum resonator cones mounted in the middle of the top. The physical principle of the guitar is therefore similar to the loudspeaker. The original purpose of the resonator was to produce a very loud sound; this purpose has been largely superseded by electrical amplification, but the resonator guitar is still played because of its distinctive tone. Resonator guitars may have either one or three resonator cones. The method of transmitting sound resonance to the cone is either a "biscuit" bridge, made of a small piece of hardwood at the vertex of the cone (Nationals), or a "spider" bridge, made of metal and mounted around the rim of the (inverted) cone (Dobros). Three-cone resonators always use a specialized metal bridge. The type of resonator guitar with a neck with a square cross-section—called "square neck" or "Hawaiian"—is usually played face up, on the lap of the seated player, and often with a metal or glass slide. The round neck resonator guitars are normally played in the same fashion as other guitars, although slides are also often used, especially in blues.Electric guitars can have solid, semi-hollow, or hollow bodies; solid bodies produce little sound without amplification. Electromagnetic pickups convert the vibration of the steel strings into signals, which are fed to an amplifier through a cable or radio transmitter. The sound is frequently modified by other electronic devices or the natural distortion of valves (vacuum tubes) in the amplifier. There are two main types of magnetic pickups, single- and double-coil (or humbucker), each of which can be passive or active. The electric guitar is used extensively in jazz, blues, R & B, and rock and roll. The first successful magnetic pickup for a guitar was invented by George Beauchamp, and incorporated into the 1931 Ro-Pat-In (later Rickenbacker) "Frying Pan" lap steel; other manufacturers, notably Gibson, soon began to install pickups in archtop models. After World War II the completely solid-body electric was popularized by Gibson in collaboration with Les Paul, and independently by Leo Fender of Fender Music. The lower fretboard action (the height of the strings from the fingerboard), lighter (thinner) strings, and its electrical amplification lend the electric guitar to techniques less frequently used on acoustic guitars. These include tapping, extensive use of legato through pull-offs and hammer-ons (also known as slurs), pinch harmonics, volume swells, and use of a tremolo arm or effects pedals.

The first electric guitarist of note to use a seven-string guitar was jazz guitarist George Van Eps, who was a pioneer of this instrument.[citation needed] Solid body seven-strings were popularized in the 1980s and 1990s in part due to the release of the Ibanez Universe guitar,[citation needed] endorsed by Steve Vai. Other artists go a step further, by using an eight-string guitar with two extra low strings. Although the most common seven-string has a low B string, Roger McGuinn (of The Byrds and Rickenbacker) uses an octave G string paired with the regular G string as on a 12-string guitar, allowing him to incorporate chiming 12-string elements in standard six-string playing. In 1982 Uli Jon Roth developed the "Sky Guitar," with a vastly extended number of frets, which was the first guitar to venture into the upper registers of the violin. Roth's seven-string and 33-fret "Mighty Wing" guitar features a six-octave range.

No comments :

Post a Comment